New Delhi, Dec. 4 -- Waves of white caught the eye as soon as you entered Gallery Threshold in Delhi. Undulating sheets hang suspended from the ceiling. As you went closer to the work from the series, We Don't End At Our Edges, letters from the Kannada script became apparent, etched onto the very skin of the paper. The pores in the sheets cast shadows on the gallery walls and floor-the etched words thereby acquiring a new reflected form. Crafted with cotton rag fibre pulp, the paper has become a metaphor for the body as a vessel of memory and history. In artist Ravikumar Kashi's hands, paper becomes more than just a surface or a medium. It takes on sculptural and tactile forms, containing within it themes around loss of language, heritage...