India, July 10 -- In an era where everything is fleeting, stories on Instagram vanish in 24 hours, TikTok trends expire before they even form memories, and the next viral reel is always a scroll away, something beautiful, almost radical, is happening in the world of cinema. Across theatres in India and on global platforms, films like Umrao Jaan (1981), Sholay (1975), Guide (1965), Pyaasa (1957), Charulata (1964), Kaagaz Ke Phool (1959), Chaudhvin Ka Chand (1960), and Sahib Bibi Aur Ghulam (1962) are returning, not as grainy YouTube memories, but as fully restored cinematic experiences, screened as they were meant to be seen: on the big screen, in their full visual and emotional glory. It's not just nostalgia that's drawing people in.
It's ...