New Delhi, May 14 -- "I film to heal," says Emad Burnat, the village-farmer plus filmmaker of the internationally acclaimed film on the struggles and daily life in Palestine, 5 Broken Cameras. The film has not only created a new genre of 'documentary-feature film' across the global film festival circuit, but has also become a compulsory part of the film curriculum of miscellaneous film clubs and prestigious film schools and film studies departments in various campuses across the world. Indeed, it has become a synthesis of theory and praxis, and is a pointer that even an untrained villager can use his camera to record a protracted and historic narrative risking his life and that of his family. Despite this cinematic documentation, the film...