Kathmandu, March 19 -- 'Rajagunj' is the kind of movie I'd watch twice in a theatre-not just to enjoy the cinema but also to study its visual artistry. The film revolves around Pooja (Asha Magarati), who is sent from Kathmandu to a border town fraught with political tension to investigate the kidnapping of two boys. This straightforward case soon turns into a politically charged narrative that exposes state-sponsored violence and the oppression of the Madhesi community.

From the very first scene, the distinct cinematography will captivate viewers. It is gritty and authentic. Certain shots appear as if captured with a handheld camera, producing a shaky, immersive effect. This approach leads to an experience that feels less like a film and...